Simon Dick, a Kwicksutaineuk, is one of the premiere artists of the Kwakwaka'wakw Nation. He was born in Alert Bay in 1951 and is of Tsawataineuk Kwichsutaineuk descent from Gilford Island. Simon was raised on a small village in Kingcome Inlet, immersed in the traditional practices of the Kwakwaka'waka culture and is fluent in the Kwakwala language.
Simon's life, Philosophy and creative expression is derived from his teachings and tradition and entwined with the contemporary, lending vibrancy to the Kwakwaka'waka culture. Tutored by Grandfather Chiefs on both sides of his family he learned the original songs and dances that have belonged to his family for many generations. He has also spent a significant amount of time studying the language and music with the late Chief Sam Henderson. In 1983 his inaugural potlatch was held, bestowing him rank amongst the Kwakwaka'wakw people. Simon is renown for his traditional mask dancing, representing the people and educating the young to the old about the northwest culture and ceremonies.
Simon was apprenticed under Tony Hunt Sr. for 4 years at the Arts Of The Raven studio in Victoria, B.C.. He has also worked with acclaimed Haida artist, the late Bill Ried in the carving of a 24 foot canoe. Simon continues this tradition by taking on several apprentices and teaching them the art and the ways of the First Nations People. In 1986 Simon was commissioned by the Canadian Pavilion at the Worlds Fair Exposition in Vancouver, B.C.. He designed and constructed a massive Thunderbird carving, measuring 40 ft high by 30 ft wide that cradled the amphitheater.
Today Simon Dick is an internationally acclaimed artist with the creations of his masks and jewelry designs. Transforming Myth to Mask his innovative carvings command attention with his signature trademark of graduated washes of soft colors, and the blending of bold lines and strong forms, producing both a fluid and powerful piece. Another added dimension to the work is that Simon is influenced by his knowledge and understanding of the demands of a mask meant for ceremony, therefore all his work is functional. This innovative combination weaves tradition with a distinctive contemporary edge.
